The "Official" Bio:
Mark Taylor is one of a handful of talented performers carrying on the improvisational tradition pioneered by the great (french) hornist, Julius Watkins, and is currently the only artist on the international jazz scene bringing new life to the long forgotten mellophone as a solo jazz instrument.
Taylor's sound has been described as "rapturous" and "golden" (Coda Magazine); "as fluid and limpid as (the) flute, and as gnarly as (the) alto." (JazzTimes). His innovative style has won him recognition by such legendary artists as Max Roach, who said, "Mark Taylor is a virtuoso instrumentalist...there is no one dealing with the french horn or the music the way he is."
A native of Chattanooga, TN, Mark's broad musical background includes performing, composing and arranging. Mark has performed and recorded with an array of modern giants including: Max Roach, McCoy Tyner, Abdullah Ibrahim, Muhal Richard Abrams, Lester Bowie, and Basie bandleader Grover Mitchell.
As a featured soloist with Henry Threadgill's Very Very Circus, Mark has toured throughout the United States, Europe and in Asia. As a member of George Schuller's post-modern big band, Orange Then Blue, he participated in a State Department tour of Turkey, Cyprus and Syria., and as leader of his own groups he has performed at the Tampere Jazz Happening in Tampere, Finland, Ljubljana and Maribor, Slovenia, and at a number of clubs in Germany, Austria, Canada and New York City, including Birdland, the Zinc Bar and the Knitting Factory.
As a composer, Mark has written for Max Roach, the Ebony Brass Quintet, pianist Larry Willis and was a member/arranger for Max Roach’s So What Brass Quintet. He has also been commissioned to compose for theatre, dance, CD-ROM, placed two songs in the Dollface Productions independent feature film "The Girl", scored Camille Billops' documentary, "A String of Pearls" and, most recently, completed the score for “9/11: The Forgotten Underdogs”, a new documentary about the difficulties faced by the deaf and hard of hearing during emergency situations, and done music, sound design and audio post for “Zero Down O.A.C.”, a dark comedy by Canadian filmmaker Aaron Moseson about the adventures of two used car salesmen in rural Alberta.
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I posted a reply to you on my daughter's page. Sorry bout that.Here was my response.
Yikes! 13 CAN be tough. A lot of times casting will hire 18 to play younger. Now here is some good news IF she LOOKS young for her age that is great as she will still be castable. My daughter is really small and has booked roles because of her small size. Nine is the magic age in the biz where children may work longer hours and she has been playing younger. She looks 7.
One other thing many student films WILL hire older teens. She can also keep up with local plays.
Thanks for finding me. Your music is fantastic. Not sure where you found that reverb on Zero Down but it is amazing! I think I like Forgorren the best but they are all top notch tracks.
I like your choice of Chic Corea music but I have to give my vote to Inside Out.
Scott
What type of work does your daughter do? Rebecca LOVES drama. She did her first comedy last year "The Knights of Prosperity". She really had a blast doing it as she got to dress up in a tutu and dance around. I have the video loaded on this site. She got to play the daughter of the beautiful Latina actress Sofia Vergara.
Thanks for joining our group. : )
Love your work! VERY visually stimulating!
Especially, IN ALL HER SPIT AND FURY and NIGHTMARE!
Thank You for sharing!
~Tim
Very sweet muzic man. I particularly like "Zero Down O.A.C. Your stuff sounds very classic with a smokey jazz vibe. DO you think you could tackle a western theme'd movie soundtrack? Wondering.
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